Based on a vast untapped archive of documents, photographs and sketches, Watching Hannah describes and sets into context the obsession of Arthur Munby, a Victorian gentleman and civil servant, with the bodies and behaviours of working women, most especially his maidservant (later his wife) Hannah Cullwick. Munby’s fixations with hands, dirtiness, blackness and various kinds of physical deformity are analyzed in relation to changing definitions of gender, sexual identity and class in 19th- and 20th-century England.
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